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To see the enlargement click on the thumb nail
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Crystal Lion Camera: Canon A1 Lens: 75-150mm lens with plus diopater filters Film: Kodak Ektachrome 100 ________________________ Created by projecting light through a yellow amd red filter onto large lump of glass. Then I adjusted the camera to obtain the image I liked |
Crystal Study 2 Camera: Canon A1 Lens: 75-150mm lens with plus diopater filters Film: Kodak Ektachrome 100 ________________________ Created by projecting light through a dark blue filter onto the quartz crystal and shining a red-ruby laser down the tip of the crystal |
Foreign Landscape Camera: Canon A1 Lens: 75-150mm lens with plus diopater filters Film: Kodak Ektachrome 100 ________________________ Created by projecting light through a dark blue and red filters, along with a red ruby laser onto a piece of cotton matting |
Ghosts Camera: Canon A1 Lens: 75-150mm lens with plus diopater filters Film: Kodak Ektachrome 100 ________________________ Was created by projecting light through a dark blue filter onto the quartz crystal and shining a red-ruby laser down the tip of the crystal |
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Night After Film: Kodak Ektachrome 64 Camera: Canon A1 Lens: 75-150mm len ________________________ This effect was created during the development of the film. The development of slide film is a multi-step process, one step is a reversal bath. This step would convert the negative image of the film into a positive image, or better known as a Slide. What I did was to skip this "reversal bath" step. |
Night After Film: Kodak Ektachrome 64 Camera: Canon A1 Lens: 75-150mm len ________________________ This effect was created during the development of the film. The development of slide film is a multi-step process, one step is a reversal bath. This step would convert the negative image of the film into a positive image, or better known as a Slide. What I did was to skip this "reversal bath" step. |
Untitle Film: Kodak Kodalith High Contrast Camera: Enlarger (black and white) Lens: unknown ________________________ It began as black and white negative. Using an larger, exposed a sheet of kodalith film to get a postive. Pocessed the film normally. With this high contrast sheet to create different densities. This was accomplished by adjusting the exposure time for each new H.C. negative sheet. |
Perkins Cove Camera: Canon A1 Len: 75-150mm len Film: Kodak Ektachrome 64 ________________________ Location: Orginal slide: Perkins Cove, Maine Created a high contrast contact negative. I tried different exposures to finally achieve the one I was statisfied with. Once, I got the negative I like, I sandwhiched the high contrast negative with the orginal slide. |
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All Photographs are owned and copyright © 2007 by Edward Geer
Home || Veteran Pages || Writtings, Poems, etc. || Photography || 1/35 Scale Models || Personal || Genealogy || Site Awards || Links || Copyright Notice || Privacy Notice || Disclaimer || Site Map || Email Me || |